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II. BUILDING DESIGN <br />Fig. 25: No particular architectural design is <br />specified. However, the sum of a structure's <br />shape, fenestration, fine detailing and colors <br />should be superior architectural design which is <br />harmonious with the neighborhood. <br />balconies <br />french doors <br />vide detailing <br />hich helps avoid <br />architectural <br />monotony. <br />4. More prominent sites and architecture require a <br />higher level of design quality. This would include <br />projects which are located near hill tops or <br />intersections, or which include large visible building <br />masses. <br />5. Building design and siting should define a visual <br />focal point associated with each structure. A building <br />entry or open space often fulfills this role. Such a <br />focal point is denoted by structural articulation, <br />materials, and color for identity and interest. Shapes, <br />materials, colors and landscaping should also be used <br />to create a transitional sequence to the focal point. <br />Abrupt, design band aids, such as tacked on entry <br />alcoves and insignificant walks, should be avoided. <br />wow, <br />trf, <br />. <br />ijt <br />- <br />Aandsteprausesvcentral <br />pro, vCiedevaisulido-lveansebanlcon my <br />street level to the four story building <br />16 <br />